"Michael Hendrick delivered his lines with sound musicianship, character and gusto. Hendrick's vocal abilities and demeanor conveyed to the audience a clear picture."
as the Tenor Soloist in Mahler's DAS LIED VON DER ERDE - PensacolaNewsJournal.com
"Michael Hendrick was sterling as Soliman."
as Soliman in Mozart's ZAÏDE - The Cincinnati Post
"Michael Hendrick performed Bacchus with a noble bearing and a trumpet tone. There are good tenors out there after all."
as Bacchus in ARIADNE AUF NAXOS - The Montréal Gazette
"Michael Hendrick gets off a plane at 9 pm while the first dress rehearsal is going on, comes in to Mershon auditorium with his luggage in hand, gets on stage and sings...and sings...WOW!"
as Florestan in Fidelio - Christopher Purdy, WOSU FM 89.7 (Columbus, OH)
"The interpretive strong tenor voice of Hendrick soothes the suffering of the Hebrews, shows its force after the onset of Delilah, and his anguish between love and faith and beliefs."
as Samson in SAMSON ET DALILA, Amazonas Opera Festival - Juéara Menezes, PortalAmazõnia.com
"Sarasota was lucky above all in its choice of tenors. Michael Hendrick sang a convincing Laca with a sturdy, robust voice."
as Laca in JENUFA - Das Opernglas
"My favorite was tenor Michael Hendrick as Spakos... Hendrick brought passion to his role and supported it with a clear, well-focused tone. He also evoked sympathy by exploring the full range of his character's feelings."
as Spakos in Massenet's CLÉOPÂTRE - Gannett Newspapers
"One vocal standout- tenor Michael Hendrick in the role of Soliman the tyrannical sultan. Splendidly outfitted, he more than lived up to his garb with singing that was vibrant, tonally lush and well-projected."
as Soliman in Mozart's ZAÏDE - The Indianapolis Star
"Michael Hendrick embodies a Paul fragile and poignant : His expressive range and timbre of valour are those of a heldentenor."
As Paul in DIE TOTE STADT - Sebastien Foucart, Concertonet - May 14, 2010
"A young and immensely promising heldentenor in Michael Hendrick. He rode the often inhuman tessitura of the Stranger with courage and belief, singing and phrasing with real beauty, not just brawn."
As The Stranger in Korngold's DAS WUNDER DER HELIANE - Edward Seckerson, The Independent (London) - 2007
"As Levko, tenor Michael Hendrick showed a powerful, even voice with ringing high notes and a great sense of style... It was a triumph."
as Levko in Rimsky-Korsakov's MAY NIGHT - L'Opera (Italy)
"Tenor Michael Hendrick, Aroldo and main protagonist of the opera, sang with expression, a clear expressive validity and a good musical sense."
as Aroldo in Verdi's AROLDO - ABAO Bilbao - J.A.Z., Deia
"Mr. Hendrick was most eloquent, his chatty, almost countertenor tessitura just perfect for a somewhat bitchy representative of the Fates."
as the Male Chorus in THE RAPE OF LUCRETIA - New York City Opera - Concertonet.com
"In tenor Michael Hendrick and the Choral Union of Ann Arbor's University Musical Society, Rozhdestvensky enjoyed a vocal force that matched the DSO's glistening effort in all its discipline and all its splendid color."
as Tenor Soloist in PSALMUS HUNGARICUS - Detroit Symphony Orchestra - The Detroit News
"Michael Hendrick sang very well, with a rich and subtle tenor that was particularly thrilling in the high range."
as Don José in CARMEN - Jack Robinson, The Los Angeles Times

Marvin David Levy's Atonement is a Cantata in three movements for chorus, orchestra, narrator, soprano and tenor soloists. Each of the three movements deal with a terrible yet seminal moment in the history of the Jewish people- the Holocaust, the Inquisition and the Masada.

Come listen as Orchestra Miami, conducted by Elaine Rinaldi, performs this dramatically beautiful and unforgettable music with two spectacular, world-class soloists, Michael Hendrick, tenor and Miami favorite Elizabeth Caballero, soprano.